Wednesday, May 17, 2006

Jack Kerouac's "The Mexican Girl"


When the sun came out red through the clouds of my last valley afternoon, Terry led me to Farmer Heffelfinger's barn. Farmer Heffelfinger had a prosperous farm up the road. We put crates together, she brought blankets from the house, and I was all set except for a great hairy tarantula that lurked at the pinpoint top of the barn roof. Terry said it wouldn't harm me if I didn't bother it. I lay on my back and stared at it. I went out to the cemetery and climbed a tree. In the tree I sang "Blue Skies." Terry and Johnny sat in the grass; we had grapes. In California you chew the juice out of grapes and spit the skin away, a real luxury. Nightfall came. Terry went home for supper and came to the barn at nine o'clock with delicious tortillas and mashed beans. I lit a wood fire on the cement floor of the barn to make light. We made love on the crates. Terry got up and cut right back to the shack. Her father was yelling at her.; I could hear him from the barn. She'd left me a cape to keep warm; I threw it over my shoulder and skulked through the moonlit vineyard to see what was going on. I crept to the end of a row and knelt in the warm dirt. Her five brothers were singing melodious songs in Spanish. The stars bent over the little roof; smoke poked from the stovepipe chimney. I smelled mashed beans and chili. The old man growled. The brothers kept right on yodeling. The mother was silent. Johnny and the kids were giggling in the bedroom. A California home; I hid in the grapevines, digging it all. I felt like a million dollars; I was adventuring in the crazy American night.

Jack Kerouac at his worst is like me at my best, which is to say not so good. But at his best I find him unforgettable and poetic.
The bus arrived in Hollywood. In the gray, dirty dawn, like the dawn when Joel McCrea met Veronica Lake in a diner, in the picture Sullivan's Travels, she slept in my lap. I looked greedily out tine window: stucco houses and palms and drive-ins, the whole mad thing, the ragged promised land, the fantastic end of America. We got off the bus at Main Street, which was no different from where you get off a bus in Kansas City or Chicago or Boston-red brick, dirty, characters drifting by, trolleys grating in the hopeless dawn, the whorey smell of a big city.

2 comments:

CultMan said...

I don't find any "best" here -- point me to it?

El Duderino said...

Wow, for a philosopher and erstwhile Dean Moriarty facsimile you are highly resistant to the ineluctable modality of the evident. Don’t you see it’s all good?